Alexander (2004)
Alexander is a 2004 epic historical drama film based on the life of the ancient Macedonian general and king Alexander the Great. It was directed by Oliver Stone and starred Colin Farrell. The film’s original screenplay derived in part from the book Alexander the Great, published in 1973 by the University of Oxford historian Robin Lane Fox. After release, while it performed well in Europe, the American critical reaction was negative. It grossed $167 million worldwide against a $155 million budget, thus making it a commercial failure. Four versions of the film exist, the initial theatrical cut and three home video director’s cuts: the “Director’s Cut” in 2005, the “Final Cut” in 2007 and the “Ultimate Cut” in 2013. The two earlier DVD versions of Alexander (“director’s cut” version and the theatrical version) sold over 3.5 million copies in the United States. Oliver Stone’s third version, Alexander Revisited: The Final Cut (2007), sold nearly a million copies and became one of the highest-selling catalog items from Warner Bros (as of 2012).
Plot.Â
The story begins around 285 BC, with Ptolemy I Soter, who narrates throughout the film. Alexander grows up with his mother Olympias and his tutor Aristotle, where he finds interest in love, honor, music, exploration, poetry and military combat. His relationship with his father, Philip II of Macedon, is destroyed when Philip marries Attalus’s niece, Eurydice. Alexander insults Philip after disowning Attalus as his kinsman, which results in Alexander’s banishment from Philip’s palace. After Philip is assassinated, Alexander becomes King of Macedonia. Ptolemy mentions Alexander’s punitive campaign in which he razes Thebes, also referring to the later burning of Persepolis, then gives an overview of Alexander’s west-Persian campaign, including his declaration as the son of Zeus by the Oracle of Amun at Siwa Oasis,RELATED:
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his great battle against the Persian Emperor Darius III in the Battle of Gaugamela, and his eight-year campaign across Asia.
Also seen are Alexander’s private relationships with his childhood friend Hephaestion, Bagoas, and later his wife, Roxana. Hephaestion compares Alexander to Achilles, to which Alexander replies that Hephaestion must be his Patroclus (Achilles’ lover) when Hephaestion mentions that Patroclus died first, Alexander pledges that, if Hephaestion should die first, he will follow him into the afterlife (as Achilles had done for Patroclus) Hephaestion shows extensive jealousy when he sees Alexander with Roxana, and deep sadness when he marries her, going so far as to attempt to keep her away from him after Alexander murders Cleitus the Black in India.
After initial objection from his soldiers, Alexander convinces them to join him in his final and bloodiest battle, the Battle of Hydaspes. He is severely injured with an arrow but survives and is celebrated. Later on, Hephaestion succumbs to an unknown illness either by chance or perhaps poison, speculated in the film to be typhus carried with him from India. Alexander, full of grief and anger, distances himself from his wife, despite her pregnancy, believing that she has killed Hephaestion. He dies less than three months after Hephaestion, in the same manner, keeping his promise that he would follow him. On his deathbed, Bagoas grieves as Alexander’s generals begin to split up his kingdom and fight over the ownership of his body.
Criticism by historians.
Alexander attracted critical scrutiny from historians with regard to historical accuracy. According to Lloyd Llewellyn-Jones, Professor of Ancient History at Cardiff University: “Oliver Stone’s movie Alexander (2004) displays all the familiar Orientalist notions about the inferiority and picturesqueness of Eastern societies. So much so, indeed, that in terms of its portrayal of East–West relationships, Alexander has to be seen as a stale cultural statement and a worn-out reflection of the continuing Western preoccupation with an imaginary exotic Orient.” Persian history expert Kaveh Farrokh questioned the omission of the burning of Persepolis by Alexander and observed that, in the film, “Greek forces are typically shown as very organised, disciplined, and so on, and what’s very disturbing is, when the so-called Persians are shown confronting the Macedonians, you see them turbaned. Turbans are not even a Persian item […] Their armies are totally disorganized.