Lone Survivor (2013) Biography, Plot, Development, Casting, Box office, Trailer.

Lone Survivor (2013)

Lone Survivor (2013)

Lone Survivor is a 2013 American biographical war film based on the 2007 nonfiction book of the same name by Marcus Luttrell with Patrick Robinson. Set during the war in Afghanistan, it dramatizes the unsuccessful United States Navy SEALs counter-insurgent mission Operation Red Wings, during which a four-man SEAL reconnaissance and surveillance team was given the task of tracking down the Taliban leader Ahmad Shah. The film was written and directed by Peter Berg and stars Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, and Eric Bana. Upon first learning of the book in 2007, Berg arranged several meetings with Luttrell to discuss adapting the book to film. Universal Pictures acquired the film rights in August 2007,
Lone Survivor (2013)
after bidding against other major studios. In re-enacting events, Berg drew much of his screenplay from Luttrell’s eyewitness accounts in the book, as well as autopsy and incident reports related to the mission. After directing Battleship (2012) for Universal, Berg resumed working on Lone Survivor. Principal photography began in October 2012 and concluded in November, after 42 days. Filming took place on location in New Mexico, using digital cinematography. Luttrell and several other Navy SEAL veterans acted as technical advisors, while multiple branches of the United States Armed Forces aided the production. Two companies, Industrial Light & Magic and Image Engine, created the visual effects. Lone Survivor opened in limited release in the United States on December 25, 20

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Lone Survivor (2013)

Plot.

Ahmad Shah, a local Taliban warlord in the Korangal Valley is identified as the person responsible for the deaths of several Marines, plus any villagers who are believed to have aided the American forces in Afghanistan. A Navy SEAL team, consisting of Michael Murphy, Matthew Axelson, Danny Dietz and Marcus Luttrell, is ordered to capture Shah. Inserted overnight via helicopter, the four-man team make their way toward Shah’s last known location. Due to the mountainous terrain the team are operating in, communications with J-Bad become difficult. Though the team identify Shah, they are discovered by local villagers; one of whom is carrying a walkie-talkie.
Lone Survivor (2013)
Believing that the villagers are Taliban sympathisers, the SEALs debate setting them free or killing them. Murphy orders them to be set free. The team proceed up the mountainside, aborting their mission and intend to extract. However, true to the SEALs’ concerns the villagers alert the Taliban, who pursue the team. Though the SEALs begin with the advantage, the sheer number of the Taliban forces begins to overwhelm them and their position. Pushed toward a ravine the SEALs are given little choice but to jump, but are thrown off balance when an RPG detonates in front of them. Dietz is killed and the remaining SEALs try desperately to raise support.
Lone Survivor (2013)
Murphy scales the cliff to gain a clear signal which finally alerts the QRF, though he is killed shortly after. The QRF scrambles to the SEALs’ aid, though the two Chinook helicopters fly in without Apache support. Briefly encouraged by the arrival of reinforcements, Luttrell and Axelson watch helplessly as one Chinook is shot down by an RPG. The second aborts, leaving Luttrell and Axelson to fend for themselves. Already grievously wounded from battle, the disoriented Axelson is soon cornered by Taliban gunmen and killed. Luttrell is also discovered, though he survives an RPG attack and is able to hide from his pursuers overnight and escapes.

Development.

Following publication of Marcus Luttrell and Patrick Robinson’s nonfiction book Lone Survivor (2007), producer Barry Spikings met Luttrell’s attorney Alan Schwartz, who was interested in making a film adaptation. Schwartz suggested that Spikings’ son-in-law Akiva Goldsman write the screenplay. Goldsman did not believe he was the right screenwriter for the project, and suggested that Peter Berg write and direct the film. Spikings and Goldsman passed the book on to Berg’s producing partner Sarah Aubrey. Berg first learned of the book while filming Hancock, and after he and Aubrey read it, they arranged several meetings with Luttrell to discuss a film adaptation. Luttrell also viewed a rough cut of Berg’s then-upcoming film The Kingdom (2007), and was impressed by his direction. “[Berg] caught me with his attention to detail”, he said, “and how he portrayed the enemy in the film.”

Casting.

Berg had discussed the project with Wahlberg, Taylor Kitsch, Emile Hirsch, and Ben Foster years earlier. Universal held an open casting call in Los Angeles, aiding in the filmmakers’ search for supporting actors, extras, photo doubles, and stand-ins. In August 2012, it was announced that Alexander Ludwig and Eric Bana had joined the cast. Although Wahlberg, Kitsch, Hirsch and Foster had physically trained for their roles prior to filming, Luttrell organized a three-week training regimen at a bootcamp in New Mexico, where the actors were trained by elite military personnel in weapons, military communications, and tactics. Military advisor Mark Semos trained the four actors in live-firing exercises so they could feel the physical impact of firing military rifles. They also practiced “shoot move cover” drills to enable them to react convincingly as Navy SEALs during filming.

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Box office.

Lone Survivor’s limited release in the United States saw it take $153,839—an average of $45,436 per theater—in its first five days. The film grossed an additional $326,685 on the following weekend. Pre-release tracking estimated that Lone Survivor would gross between $17 and $28 million during its opening weekend of wide release. Released to a total of 2,875 theaters in the United States and Canada, The film grossed $14,403,750 on its opening day, and by the end of its opening weekend it had grossed $38,231,471, securing the number-one position at the North American box office. Lone Survivor’s opening-weekend gross made it the second-largest debut for any film released widely in January, after Cloverfield (2008), which opened with $40.1 million. It had also become the highest-grossing film among recent “post-9/11 war films”,

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