The Octagon (1980) Biography, Box office, Plot, Release, Scene.

The Octagon (1980)

The Octagon is a 1980 American action martial arts film starring Chuck Norris, Karen Carlson and Lee Van Cleef. It was directed by Eric Karson and written by Paul Aaron and Leigh Chapman. The film involves a martial artist (Chuck Norris) who must stop a group of terrorists trained in the ninja style by his half-brother (Tadashi Yamashita). It was filmed in Los Angeles and released by the distribution wing of American Cinema Productions beginning August 15, 1980. It is notable for its inventive use of ‘voice over’ effects to portray the inner life of Norris’ character, Scott James. This was actor Richard Norton’s film debut. This film is one of Chuck Norris’s highest grossing films. On a $2 – $4 million budget, the film earned $18,971,000 worldwide.

Plot.

The film opens with a short scene at a terrorist training camp. The main instructor, Katsumoto (Yuki Shimoda) tells the graduating class that all of their actions and whereabouts will be known and that if they do anything to expose or harm the group, they and their families will be killed. The film then cuts to an assassination of a diplomat by members of the group. One of the terrorists is shot by a bodyguard while the others escape. We then meet Scott James (Chuck Norris), a retired karate champion, who is at a dance performance. After the performance, he meets one of the dancers named Nancy (Kim Lankford). He takes her out to dinner because he is interested in how she incorporated the martial arts into her routine. She seems distant during the dinner and is more concerned about a recent assassination that took place abroad. She wonders if “an American was killed”. Scott takes Nancy home, and he senses that someone is there. The lights do not work as they enter, and then they are attacked by a group of ninja. Scott fights them off, but they end up killing Nancy. After he restores power to the house, he finds that the entire family has been killed.

The next day, Scott goes to see an old mercenary friend named McCarn (Lee Van Cleef). Scott asks him if he knows about any ninja activity. However, McCarn tells him, “If you are seeing ninja, you are seeing ghosts.” McCarn tries to recruit Scott to join his cause in eliminating terrorists, but Scott declines. On his way back from McCarn’s place, Scott encounters a rich lady named Justine (Karen Carlson), who managed to get her car stuck on the side of the road. She asks Scott for help, and after he helps her, she takes his keys, forcing him to walk back to her place to get them. Scott goes back to Justine’s house to get his keys, and she pretends to find them in her purse. She offers to drive him back since “It would be the only decent thing to do.” Scott agrees, only on the condition that this time, he drives. On their way back, Scott and Justine are chased by two cars. Scott and Justine manage to evade their pursuers.

After Scott gets back to his car, Justine identifies one of the cars as being “her bodyguards.” Scott then asks her out to dinner since she has now become “an object of concern”. Before their date, Scott goes back to McCarn’s and notices that the car that was chasing them belonged to McCarn. He confronts Justine, and she confesses that she hired McCarn to be her bodyguard because McCarn told her that Scott would not accept her offer of employment. She also wants him to kill a man named Seikura (Tadashi Yamashita). She confesses that her father was killed by terrorists and that she has since been on a crusade to eliminate them. She has managed to help “retire” two of the three main terrorist leaders, but Seikura remains. Scott is insulted by her actions, and he promptly declines her offer and leaves.

Release, Critical response.

The Octagon opened on 244 screens in Dallas, Kansas City, and St. Louis on 8 August 1980, before expanding into Los Angeles on 22 August 1980. Variety noted that the film “ought to keep the fans happy. A bizarre plot involving the Ninja cult of Oriental assassins with international terrorism provides plenty of chances for Norris and other martial art experts to do their stuff, and pic has a nicely stylized look with excellent lensing and music. Subtleties of writing and performing are not this film’s selling points, so it would be misleading to belabor those inadequacies.” Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and wrote, “It has an understandable story with a little bit of sophistication, which immediately places it head and shoulders above the typical kung-fu chop-socky flick. Unfortunately, ‘The Octagon’ gets a little too complicated for its own good. There are a bunch of supporting characters who really aren’t that crucial to the story, once it gets going in a straight line toward the ultimate confrontation between Scott James and his Oriental relative.” Linda Gross of the Los Angeles Times wrote, “What is deeply disturbing about this movie is its inherent cynicism and wholesale endorsement of and commitment to violence.