Although Sylvester Stallone’s most popular movie franchise will always be Rocky, Rambo is a close second. The John Rambo character is remembered for marching into battle, oiled-up and shirtless, with a bullet belt slung over his rippling shoulders and a giant machine gun in his hands. But his first on-screen outing was a sobering reflection on the effects of the Vietnam War on its veterans.
Stallone has always been heavily involved behind the scenes of the Rambo franchise, even writing and directing a few of its installments. This list has been updated to include even more fascinating facts about the making of the Rambo movies.
Updated on December 7th, 2020 by Derek Draven: There are so many fascinating factoids about the Rambo franchise that we’ve updated this list to include a few more. This long-lasting series of movies broke new ground and inspired countless waves of action films that followed, solidifying its iconic status.
14. Sly Hated & Loved The Character
During an interview with Bobbie Wygant in 1988, Stallone was asked whether he disliked the fact that fans preferred he play either Rocky or Rambo. This is a common problem for many actors who get typecast, but it’s worse for others who are tied to extremely specific characters. Stallone was quick to admit that it was frustrating at times to be so closely associated with one or two key characters, but he also saw the silver lining. Few actors get to be so fondly remembered for playing characters that touched so many lives across multiple generations. John Rambo is definitely one of those characters.13. Stallone Suggested Rambo Not Kill Anyone
The making-of DVD documentary about First Blood mentions how the film version of the character differs so much from the original novel. There, Rambo indiscriminately killed over a dozen people after snapping due to his horrific Vietnam experiences. In an act of foresight, Sylvester Stallone realized that this probably wouldn’t go down well with fans. It was he who suggested the Rambo not kill a single person in the film. This was to create a sympathetic anti-hero who was a complete victim of unfortunate circumstances that ended up driving him over the edge. As such, First Blood features only one death in the entire film – an accidental one.RELATED:
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12. Kirk Douglas His Own Role
Kirk Douglas was a huge idol of Sylvester Stallone’s since his young days, and he was quite excited at the prospect of working with him on First Blood. Douglas was supposed to play Colonel Trautman, and Carolco banked heavily on his bankability to help sell the movie to audiences. Stallone revealed in the making-of DVD documentary that Douglas “accepted a role, then rewrote the script.” The last straw came when Douglas demanded that Rambo die at the end of the movie for the purpose of artistic merit. Stallone respectfully disagreed, stating that it would send the wrong message that the only way to deal with a broken Vietnam vet was to put him down. Douglas hopped on a plane the next day, forcing a recast.11. A Different Mujahideen
One of the biggest controversies surrounding Rambo III was the idea of the character working with the Mujahideen to repel Soviet forces in Afghanistan. This took place during the Soviet-Afghan War, which raged for 10 years before finally seeing an end just one year after Rambo III came out.
Following the end of the war, the Mujahideen descended into internecine warfare until the party broke down. The ensuing power struggles gave rise to what our generation knows as the Taliban – a completely different group than the Mujahideen portrayed in Rambo III.
10. Al Pacino Was Offered The Role Of John Rambo
When First Blood initially went into development, the producers offered the role of John Rambo to Al Pacino. Pacino wanted the script to be rewritten to make Rambo more of an eccentric madman, but the producers refused, so he turned down the part.
After the success of Convoy, the producers also considered Kris Kristofferson for the part, hoping that he might be able to persuade his friend Sam Peckinpah – one of the great revolutionary directors of ultraviolent cinema – to helm the project.